The Horsemen
The Horsemen is a startling and robust adventure story--almost a fable, actually--that opens a window onto a brutal but exotic part of the world. Set in mountainous Afghanistan, the film (written for the screen by Dalton Trumbo of Spartacus fame) concerns the devastating and near-impossible efforts of a great horseman, Uraz (Omar Sharif), to establish a reputation equal to that of his famous father, the chieftain Tursen (Jack Palance). Parts of The Horsemen have a semi-documentary feel, and those sections can be astonishing to watch, particularly footage of a shockingly brutal sport called Bozkeshi, in which men and horses die by the score. Director John Frankenheimer (The Manchurian Candidate) literally whips up a sprawling and highly physical movie here, embroidered with a fascinating subplot about the treachery of a beautiful slave (Leigh Taylor-Young). Released in 1971, The Horsemen provides a startling glimpse of a pre-war, pre-Taliban Afghanistan. --Tom Keogh
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Last updated: October 17, 2009, 11:15 pm
The Horsemen Cusomter reviews:
Average Rating: 4.5 Total Reviews: 11
(David A. Knighting, 2009-05-18) If you thought Omar Sharif was moody in Lawrence of Arabia, you ain't seen nothing yet! This is a story about a father and son, and the love-hate relationship between them. Uraz (Omar Sharif's character) wants to get out of his daddy's shadow. Tursun (Jack Palance), the father, is an aging old man who can't show his son that he loves them. Father and son are both chapandaz, master horsemen and semi-professionals who play the game called Buzkashi. Buzkashi (lit. "goat pulling"), for those who don't know, is a game where a bunch of guys basically ride around between two poles fighting it out over a the stuffed carcase of a goat or calf. Called by different names it is an old steppe nomadic sport played in Afghanistan, Central Asia and Mongolia. I won't give the plot away, but suffice it to say this movie has lots of cool footage of an actual bushkazi match, or at least it seems real. There is also a lot of footage of Kabul back around 1970 or so. And be warned there is lots of footage of animals fighting: camels, rams, and sparrows. That's right, people do bet on sparrow fights. A major theme in the movie is the juxtaposition of Modernity with the ancient cultures of the "East." Yeah, kind of hokey like that. Keep an eye out for an extremely understated, but funny scene involving an airplane that sums up this uneasy coexistance beautifully. I'm not sure if Director Frankenheimer intended it that way, but it is pure genius. The movie is at its weakest when trying to talk about the corruptibility of human nature and relationships between men. Uraz's servant and companion, Mukhi is slowly corrupted by Uraz, who corrupts Mukhi because he wants to add danger to his journey so he can show his daddy up. And let's face it, Uraz is a jerk; cold-blooded as Rick James would say. Once again, I'm not giving the plot away. As the cover indicates, there is a girl in the movie. Leigh Taylor-Young plays Zareh, a girl of low caste who is loved by Uraz and his less-than faithful sidekick Mukhi. She is a schemer, driven to being evil by the hardness of the world. I was never sure if the noverl or the movie were misogynist in an old school James Michener, Scotch-on-the-rocks, and turn up the Sinatra kind of way, or whether it was a satire. Oh, and yeah, there was a lovely horse that everyone was in love with. Eat your shorts Flika! For those who love the movie, read the book by Joseph Kessel that it is based on. You can even read it in the original French if you are feeling pretentious! Make sure to tell your friends, though, and leave the book in a conspicious place and talk about how so much is lost in the translation. The novel will explain a lot that the movie does not. For starters, Uraz and Tursun are Uzbeks from the North of Afghanistan. The "four provinces" and a couple of cities are mentioned in the movie, but if you ain't up on your Afghan geography the names will be meaningless. Also the movie makes it seem that Buzkashi is a traditional national sport for all Afghans. Wrong! As the book indicates, circa 1970, Bushkazi was still basically an Uzbek/Turkmen sport. Tursun and Uraz are Uzbeks. The cultural dichotomy between the Pashto and Dari speaking mountaineers and the Turkic peoples of the North is a big part of the novel. Kessel, like many other Westerners, was mystified by all those exotic folks, and spends a considerable amount of time describing them. On that note, the language used in the movie and the novel are kind of Edwardian, I guess because Kessel was trying to capture some of the floweriness of the original Dari. Big disappointment that they left out the Nuristani storyteller character from the book. I repeat, if you liked the movie, you'll love the book. Finally, I'm surprised Yul Brenner didn't have a role in this movie, considering he was in just about every flick prior to 1975 that required someone of indeterminate ethnicity.
(Roberto Frangie, 2007-01-02) Set in Afghanistan, John Frankenheimer's 'The Horsemen' is the story of a tribesman determined to rival his father at horsemanship... Uraz is sent by his father Tursen to win the traditional Royal Buzkashi on the field of Bagrami in the capital city of Kabul... Uraz on Jahil has to battle for control of a headless calf, carry it around a blue flag, and deposit it back in the 'Circle of Justice'... thus signifying that he wins the king's pennant... and remains as the master chapandaz of all Afghanistan... During the tournament, opposing horsemen use their whips to urge on their horses and to hit the rider for the chance to snatch the heavy carcass... The motion picture turns around five well drawn characters: an angered son eaten up with vanity; a brave father who knew something worse than danger; a nomad woman whose touch defiles; a once loyal servant lusted for an 'unclean woman;' and a wager from the high passes of the East where 'men know how to forge fine weapons and use them well'... Uraz (Omar Sharif) deliberately chose to bribe his devoted servant with the magnificent white stallion in order to increase the already terrible dangers which he hopes to conquer... Zareh (Leigh-Taylor Young) urges her man to kill his high blood master to secure for herself his horse and his money... Tursen (Jack Palance) know nothing but evil legends about an impossible road taken by his embittered son... His pain, remorse, and blood wept for a son lost through his fault... Mukhi (David de Keyser) forgets his humble and faithful world in the arms of the 'untouchable' woman who pushes him to murder the great prince... Hayatal (Peter Jeffrey) takes the challenge against 'the Prince Ram of the Valley' declaring openly to Uraz: 'What a one-horned ram can do, a one-legged chapandaz can do better!' To understand 'The Horsemen' you must understand the rage, the beauty, and the tradition of a mountainous and landlocked country, isolated and left outside the mainstream of civilization... Written by Academy Award winner Dalton Trumbo (The Brave One, Best Original Screenplay, 1956) 'The Horsemen' is a passionate film for men only... The film is a search that marks out the true concepts of honesty, integrity, loyalty, and trust...
(Linda Coram, 2006-03-21) Like a previous reviewer, this movie impressed me so much that I actually traveled to Afghanistan to experience Afghan culture for myself (pre-Russian invasion). At the time I went (1973) there was only one paved road in the entire country and no rail lines. I entered Afghanistan (via bus) from Iran and spent 10 fascinating days traveling the country then exiting via the Khyber Pass into Pakistan. I just simply fell in love with the country and its people, and wish I could go back. I never would have had this incredible experience if the movie hadn't intrigued me so. The movie plot line is "blah, blah, blah," but the REAL stars are the country's stunning geography and the character of its people. This movie of course was never intended to have any political overtones, but if you want to perhaps better understand Afghanistan and its people, how they look at life and their country, and how they practice their religion--WATCH IT!!
(Tintin, 2003-11-16) This movie, which I saw for the first time in 1971, changed my life forever. From the first moment of the film, I was struck by the stunning Afghan scenery. Over the next three years, I visited Afghanistan three times. It was a fantastic adventure, like a voyage in another time, on another planet. Since then, I have not stopped travelling in this part of the World. The film is based on Joseph Kessel's (1898 - 1979) novel, "Les Cavaliers," written following his travel throughout Afghanistan in the early 60's. Kessel is, in the tradition of Saint-Exupery, Malraux, Pierre Mac Orlan, and Hemingway, an adventurer, journalist, globetrotter, and great writer, a man who tried to make the novel "the privileged expression" of the "lived" adventure. The movie, filmed for six months in Afghanistan, and then in Spain, in 1969-1970, was directed by John Frankenheimer. The picture cost $4.5 millions. Screenwriter Dalton Trumbo recognized there was no need to embellish Kessel's fantastic adventure, and faithfully followed the book's story line. The action takes place on the vast plains around Maimana in the northwest of the country, across the forbidding Hindu Kush, and in Kabul. Although the scenery and characters are timeless, the sight of a high-flying jet during a scene subtly establishes the movie's time period. The drama revolves around the "mad horse," Jahil, with its almost human presence. Uraz (Omar Sharif), son of the great "chapendaz" Tursen (Jack Palance) is to ride Jahil, Tursen's latest prized white stallion, in the great "buzkashi" of the King, in Kabul. The Afghan national game of "buzkashi" dates back to the time of Ghengis Khan. In this fierce competition, played on the northern steppes by expert horsemen, everything goes. Hundreds of "chapendaz" horsemen independently compete to grab and carry the carcass of a goat or a small calf to the circle of justice, outlined on the field. If Uraz wins, Jahil is his to keep. How can he not win? "If you cannot win on Jahil, you cannot win on any horse," says Tursen. Uraz, like his father before him, is now the most famous "chapendaz" in the "three (northern) provinces." Nevertheless, his quest for glory seems endless, as an inner demon keeps driving him to surpass both his father and himself. An old lady in the bazaar says of him, "If you wager him for glory, you will lose. If for money, you will win." At the "buzkashi" in Kabul, Uraz will know defeat. He not only loses the game, but his leg is fractured. His life lesson about pain and hate begins as he returns to Maimana, vanquished, prouder, more resolute, and crazier than ever. Uraz has the choice of two roads to return to Maimana: the relatively easy road across the terrible Hindu Kush Range, through the Salang Pass, the World's highest pass at 10,000 feet, or the dreadful "old road," running through the Unai and Hajikak passes, both also near 10,000 feet, Bamiyan, followed by more high passes, before finally arriving on the northern steppes. Of course, Uraz chooses the "old road," challenging himself to the limit, in order to redeem himself in his own eyes, and also those of his father. For all his toughness, his father had never traveled that road. As if the "old road" was not challenge enough, Uraz, whose fractured leg is fast becoming gangrenous, tempts his sais with a pact that involves ownership of the magnificent Jahil. Following his master, his good "sais" (groom), Mokkhi (David de Keyser), meets with love in the arms of the beautiful "untouchable," Zareh (Leigh Taylor-Young), but also experiences greed, a taste for murder, and a pitiful downfall. Zareh, as beautiful as she is devious, inspires Mokkhi to murder and destruction. She is herself tormented by "the horse": "Do you know, great Prince, what brought me to you that first night?...it was the horse." Along this endless "old road," the trio each confronts the worst in themselves, and arrive at their destination perverted and lost. There is also the mysterious and likable character, Hayatal (Peter Jeffrey) with whom Uraz will eventually continue wandering the steppes. The stunning cinematography is the result of the collaboration of the disinguished French cinematographer Claude Renoir (of the artistic lineage,) Andre Domage, and James Wong Howe. They give an accurate taste of the beauty of the rugged Afghan country and of its people. In particular, the remarkable sequences of the "buzkashi" of the King, in Kabul, and the flashback of Tursen's "buzkashi" through the great open steppes of the north, are worth the price of the admission by themselves. There are also actual scenes of organized fights between camels, rams, and partridges (the Afghans are big gamblers). The casting of westerners as principles may seem strange at first, until one remembers that there were neither TV nor movies in Afghanistan, in 1970, and therefore no Afghan actors. Frankenheimer wanted Yves Montand or James Garner for the lead, but learning that he was an expert rider, chose Omar Sarif instead. The "buzkashi" scenes required 25 days of shooting. Of course, Sharif had to appear in some of these scenes, but the "chapandaz," impressed by his superior riding, unobtrusively "chaperoned" him through the most dangerous moments. Omar Sharif gives one of his best, if not the best, performances ever. On the other hand, Jack Palance was not skillful enough to ride in the mayhem of the game, and required an Afghan rider stand-in for these sequences. However, with his both feet on the ground, Palance's presence on the screen is overwhelming. As I traveled through the northern provinces of the country, I must have met two or three Palances, and as many Sharifs. By some extraordinary coincidence, Leigh Taylor-Young also bears a strong resemblance to the now famous "Afghan girl," who appeared on the front cover of the National Geographic Magazine, in 1984. Physically at least, the choices for the leading characters were fortunate. The renowned French composer Georges Delerue (more than 47 film scores) wrote the music, remarkable in its lyricism and romanticism, which integrates itself perfectly in the film. "The Horsemen" is a stunning film, inspired by epic adventure and timeless conflicts which, given the present condition in Afghanistan, I am afraid can only now be experienced in an armchair.
(Anonymous, 2003-10-21) I saw this movie in VHS form while living in Singapore. It is truly an amazing and unique story regarding the strong character and will of a father (Jack Palance) and son (Omar Shariff). It is a must for those who study the character and nearly limitless possibilities of man. I put this item on my DVD wish list earlier this year. Finally it is available. I look forward to adding this DVD to my library and being able to enjoy it with friends and family.